TO
THAT
HEART OF HEARTS
I
BELIEVE HELP THOU MINE UNBELIEF
O
NAMUH
YOU
ARE GOING ON
A
JOURNEY A VERY SPECIAL JOURNEY
DO HAVE A PLEASANT JOURNEY DO
A
MAZE
IN
ZAZAZA ENTER AZAZAZ
AZAZAZAZAZAZAZZAZAZAZAZAZAZA
ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ
THE
MAGICALALPHABET
ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA
12345678910111213141516171819202122232425262625242322212019181716151413121110987654321
NUMERICAL SYMBOLS SYMBOLS NUMERICAL
WORK DAYS OF GOD
Herbert W Morris D.D.circa 1883
Page 22
"As all the words in the English language are composed out of the twenty-six letters of the alphabet,.."
LIGHT AND LIFE
Lars Olof Bjorn 1976
Page 197
"By writing the 26 letters of the alphabet in a certain order one may put down almost any message (this book 'is written with the same letters' as the Encyclopaedia Britannica and Winnie the Pooh, only the order of the letters differs). In the same way Nature is able to convey with her language how a cell and a whole organism is to be constructed and how it is to function. Nature has succeeded better than we humans; for the genetic code there is only one universal language which is the same in a man, a bean plant and a bacterium."
"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER
ONE MAY PUT DOWN ALMOST ANY MESSAGE"
A |
B |
C |
D |
E |
F |
G |
H |
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
1+0 |
1+1 |
1+2 |
1+3 |
1+4 |
1+5 |
1+6 |
1+7 |
1+8 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
S |
T |
U |
V |
W |
X |
Y |
Z |
I |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
9 |
1+9 |
2+0 |
2+1 |
2+2 |
2+3 |
2+4 |
2+5 |
2+6 |
ME |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
I |
9 |
18 |
9 |
18 |
9 |
18 |
9 |
18 |
9 |
= |
1+8 |
= |
1+8 |
= |
1+8 |
= |
1+8 |
= |
= |
9 |
= |
9 |
= |
9 |
= |
9 |
= |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
1 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
1 |
"BY WRITING THE 26 LETTERS OF THE ALPHABET IN A CERTAIN ORDER
ONE MAY PUT DOWN ALMOST ANY MESSAGE"
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
|
|
|
|
|
|
|
|
|
1+0 |
1+1 |
1+2 |
1+3 |
1+4 |
1+5 |
1+6 |
1+7 |
1+8 |
1+9 |
2+0 |
2+1 |
2+2 |
2+3 |
2+4 |
2+5 |
2+6 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
HISTORY OF GOD
Karen Armstrong 1993
The God of the Mystics
THE
BOOK OF CREATION
Page 250
"THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY
THE ACCOUNT IS UNASHAMEDLY SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS
OF LANGUAGE AS THOUGH HE WERE WRITING A BOOK BUT LANGUAGE HAS BEEN ENTIRELY
TRANSFORMED AND THE MESSAGE OF CREATION IS NO LONGER CLEAR EACH LETTER OF THE
HEBREW ALPHABET IS GIVEN A NUMERICAL VALUE BY COMBINING THE LETTERS WITH THE
SACRED NUMBERS REARRANGING THEM IN ENDLESS CONFIGURATIONS THE MYSTIC WEANED
THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS"
A |
B |
C |
D |
E |
F |
G |
H |
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
1+0 |
1+1 |
1+2 |
1+3 |
1+4 |
1+5 |
1+6 |
1+7 |
1+8 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
S |
T |
U |
V |
W |
X |
Y |
Z |
I |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
9 |
1+9 |
2+0 |
2+1 |
2+2 |
2+3 |
2+4 |
2+5 |
2+6 |
ME |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
= |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
I |
9 |
18 |
9 |
18 |
9 |
18 |
9 |
18 |
9 |
= |
1+8 |
= |
1+8 |
= |
1+8 |
= |
1+8 |
= |
= |
9 |
= |
9 |
= |
9 |
= |
9 |
= |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
1 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
9 |
I |
ME |
I |
ME |
I |
ME |
I |
ME |
1 |
THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY
THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE
AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED
THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF
THE
ALPHABET
IS
GIVEN
A
NUMERICAL
VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS
REARRANGING THEM IN ENDLESS CONFIGURATIONS
THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
|
|
|
|
|
|
|
|
|
1+0 |
1+1 |
1+2 |
1+3 |
1+4 |
1+5 |
1+6 |
1+7 |
1+8 |
1+9 |
2+0 |
2+1 |
2+2 |
2+3 |
2+4 |
2+5 |
2+6 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
FINGERPRINTS OF THE GODS
A QUEST FOR THE BEGINNING AND THE END
Graham Hancock 1995
Chapter 32
Speaking to the Unborn
Page 285
"It is understandable that a huge range of myths from all over the ancient world should describe geological catastrophes in graphic detail. Mankind survived the horror of the last Ice Age, and the most plausible source for our enduring traditions of flooding and freezing, massive volcanism and devastating earthquakes is in the tumultuous upheavals unleashed during the great meltdown of 15,000 to 8000 BC. The final retreat of the ice sheets, and the consequent 300-400 foot rise in global sea levels, took place only a few thousand years before the beginning of the historical period. It is therefore not surprising that all our early civilizations should have retained vivid memories of the vast cataclysms that had terrified their forefathers.
Much harder to explain is the peculiar but distinctive way the myths of cataclysm seem to bear the intelligent imprint of a guiding hand.l Indeed the degree of convergence between such ancient stories is frequently remarkable enough to raise the suspicion that they must all have been 'written' by the same 'author'.
Could that author have had anything to do with the wondrous deity, or superhuman, spoken of in so many of the myths we have reviewed, who appears immediately after the world has been shattered by a horrifying geological catastrophe and brings comfort and the gifts of civilization to the shocked and demoralized survivors?
White and bearded, Osiris is the Egyptian manifestation of this / Page 286 / universal figure, and it may not be an accident that one of the first acts he is remembered for in myth is the abolition of cannibalism among the primitive inhabitants of the Nile Valley.2 Viracocha, in South America, was said to have begun his civilizing mission immediately after a great flood; Quetzalcoatl, the discoverer of maize, brought the benefits of crops, mathematics, astronomy and a refined culture to Mexico after the Fourth Sun had been overwhelmed by a destroying deluge.
Could these strange myths contain a record of encounters between scattered palaeolithic tribes which survived the last Ice Age and an as yet unidentified high civilization which passed through the same epoch?
And could the myths be attempts to communicate?
A message in the bottle of time
'Of all the other stupendous inventions,' Galileo once remarked,
what sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men.3
If the 'precessional message' identified by scholars like Santillana, von Dechend and Jane Sellers is indeed a deliberate attempt at communication by some lost civilization of antiquity, how come it wasn't just written down and left for us to find? Wouldn't that have been easier than encoding it in myths? Perhaps.
Nevertheless, suppose that whatever the message was written on got destroyed or worn away after many thousands of years? Or suppose that the language in which it was inscribed was later forgotten utterly (like the enigmatic Indus Valley script, which has been studied closely for more than half a century but has so far resisted all attempts at decoding)? It must be obvious that in such circumstances a written / Page 287 / legacy to the future would be of no value at all, because nobody would be able to make sense of it.
What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them - and the city of Teotihuacan may be the calling-card of a lost civilization written in the eternal language of mathematics.
Geodetic data, related to the exact positioning of fixed geographical points and to the shape and size of the earth, would also remain valid and recognizable for tens of thousands of years, and might be most conveniently expressed by means of cartography (or in the construction of giant geodetic monuments like the Great Pyramid of Egypt, as we shall see).
Another 'constant' in our solar system is the language of time: the great but regular intervals of time calibrated by the inch-worm creep of precessional motion. Now, or ten thousand years in the future, a message that prints out numbers like 72 or 2160 or 4320 or 25,920 should be instantly intelligible to any civilization that has evolved a modest talent for mathematics and the ability to detect and measure the almost imperceptible reverse wobble that the sun appears to make along the ecliptic against the background of the fixed stars..."
"What one would look for, therefore, would be a universal language, the kind of language that would be comprehensible to any technologically advanced society in any epoch, even a thousand or ten thousand years into the future. Such languages are few and far between, but mathematics is one of them"
"WRITTEN IN THE ETERNAL LANGUAGE OF MATHEMATICS"
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
|
|
|
|
|
|
|
|
|
1+0 |
1+1 |
1+2 |
1+3 |
1+4 |
1+5 |
1+6 |
1+7 |
1+8 |
1+9 |
2+0 |
2+1 |
2+2 |
2+3 |
2+4 |
2+5 |
2+6 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
A |
B |
C |
D |
E |
F |
G |
H |
I |
J |
K |
L |
M |
N |
O |
P |
Q |
R |
S |
T |
U |
V |
W |
X |
Y |
Z |
THE
FAR YONDER SCRIBE
AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN SOME AMAZE
THE
ZED ALIZ ZED
IN
SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS
NUMBER
9
THE SEARCH FOR THE SIGMA CODE
Cecil Balmond 1998
Cycles and Patterns
Page 165
Patterns
"The essence of mathematics is to look for patterns.
Our minds seem to be organised to search for relationships and sequences. We look for hidden orders.
These intuitions seem to be more important than the facts themselves, for there is always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imagine looking up at the stars and finding the zodiac!
Searching out patterns is a pure delight.
Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationship between numbers, pictures of the mind, that were not obvious before. There is that excitement of finding order in something that was otherwise hidden.
And there is the knowledge that a huge unseen world lurks behind the facades we see of the numbers themselves."
|
THE RAINBOW LIGHT |
|
|
|
|
THE |
33 |
15 |
|
|
RAINBOW |
82 |
37 |
|
|
LIGHT |
56 |
29 |
|
15 |
|
171 |
81 |
9 |
1+5 |
|
1+7+1 |
8+1 |
- |
6 |
|
9 |
9 |
9 |
3 |
3 |
|
A+B+C |
6 |
6 |
6 |
2 |
|
2 |
D+E |
9 |
9 |
9 |
3 |
3 |
|
F+G+H |
21 |
21 |
3 |
1 |
|
1 |
I |
9 |
9 |
9 |
3 |
3 |
|
J+K+L |
33 |
6 |
6 |
2 |
|
2 |
M+N |
27 |
9 |
9 |
2 |
2 |
|
O+P |
31 |
13 |
4 |
3 |
|
3 |
QRS |
54 |
18 |
9 |
3 |
|
3 |
TUV |
63 |
9 |
9 |
3 |
|
3 |
WXY |
72 |
18 |
9 |
1 |
1 |
|
Z |
26 |
8 |
8 |
26 |
12 |
14 |
First Total |
351 |
126 |
81 |
2+6 |
1+2 |
1+4 |
Add to Reduce |
3+5+1 |
1+2+6 |
8+1 |
8 |
3 |
5 |
Reduce to Deduce |
9 |
9 |
9 |
3 |
A+B+C |
6 |
6 |
6 |
- |
D+E |
- |
- |
- |
3 |
F+G+H |
21 |
21 |
3 |
- |
I |
- |
- |
- |
3 |
J+K+L |
33 |
6 |
6 |
- |
M+N |
- |
- |
- |
2 |
O+P |
31 |
13 |
4 |
- |
QRS |
- |
- |
- |
- |
TUV |
- |
- |
- |
- |
WXY |
- |
- |
- |
1 |
Z |
26 |
8 |
8 |
12 |
First Total |
117 |
54 |
27 |
2+6 |
Add to Reduce |
1+1+7 |
5+4 |
2+7 |
8 |
Reduce to Deduce |
9 |
9 |
9 |
- |
A+B+C |
- |
- |
- |
2 |
D+E |
9 |
9 |
9 |
- |
F+G+H |
- |
- |
- |
1 |
I |
9 |
9 |
9 |
- |
J+K+L |
- |
- |
- |
2 |
M+N |
27 |
9 |
9 |
- |
O+P |
- |
- |
- |
3 |
QRS |
54 |
18 |
9 |
3 |
TUV |
63 |
9 |
9 |
3 |
WXY |
72 |
18 |
9 |
- |
Z |
- |
- |
- |
14 |
First Total |
234 |
72 |
54 |
1+4 |
Add to Reduce |
2+3+4 |
7+2 |
5+4 |
5 |
Reduce to Deduce |
9 |
9 |
9 |
4 |
ZERO |
64 |
28 |
1 |
3
|
ONE |
34
|
16
|
7
|
3
|
TWO |
58
|
13
|
4
|
5
|
THREE |
56
|
29
|
2
|
4
|
FOUR |
60
|
24
|
6
|
4
|
FIVE |
42
|
24
|
6
|
3
|
SIX |
52
|
16
|
7
|
5
|
SEVEN |
65
|
20
|
2
|
5
|
EIGHT |
49
|
31
|
4
|
4
|
NINE |
42
|
24
|
6
|
40 |
- |
522 |
225 |
45 |
4+0 |
- |
5+2+2 |
2+2+5 |
4+5 |
4 |
- |
9 |
9 |
9 |
CITIZENS OF THE CITY OF NINE GATES
GREETINGS
CITIZENS OF PLANET EARTH
GREETINGS
CITIZENS OF THE UNIVERSE
GREETINGS
SISTERS AND BROTHERS
OF
THINE AND MINE
DIVINE
SENTIENT
BEINGS
ALL
PEACE LOVE LIGHT LIGHT LOVE PEACE
O
NAMUH
SCATTER THE IMMORTAL SEEDS OF THIS WONDERFULLY CREATIVE TIME WITHOUT FEAR
OR
FAVOUR UPON THE INNER MINDS EYE OF THE ALL AND SUNDRY THAT IS THE
ENERGISED EVERYTHING
OF
LIVING REALITY
TO
THAT
HEART OF HEARTS
I
BELIEVE HELP THOU MINE UNBELIEF
O
NAMUH
YOU
ARE GOING ON
A
JOURNEY A VERY SPECIAL JOURNEY
DO HAVE A PLEASANT JOURNEY DO
WITH EPISODIC SENSE OF DEJA VU
THE
FAR YONDER SCRIBE AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE
THE
ZED ALIZ ZED
IN SWIFT REPEAT SCATTER
THE
NINE
NUMBERS
AMONGST THE LETTERS OF THEIR PROGRESS
AT
THE THROW OF THE NINTH RAM WHEN IN CONJUNCTION SET
THE
FAR YONDER SCRIBE
MADE RECORD OF THE FALL
THIS IS THE SCENE OF THE SCENE UNSEEN
THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE
973-eht-namuh-973
David Denison
NETERS TEN NET ENTERS
3 |
THE |
33 |
15 |
6 |
4 |
MIND |
40 |
22 |
4 |
2 |
OF |
21 |
12 |
3 |
9 |
HUMANKIND |
95 |
41 |
5 |
18 |
First Total |
|
|
|
1+8 |
Add to Reduce |
1+8+9 |
9+0 |
1+8 |
9 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
|
Essence of Number |
|
|
|
COLLINS GEM DICTIONARY OF THE BIBLE
Rev. James L. Dow 1964
Page 208
Hallel [hall-el]. Lit, 'praise.' A name given to certain Psalms in which' Hallelujah' keeps recurring. There is the Egyptian Hallel (Ps. 1] 3118) and the Great Hallel (Ps. 120-136). These were sung at the great festivals.
Hallelujah. 'Praise ye the Lord' normally occurs at the beginning or end or both of the Psalm, The exception is 035, 3). Prob. it should only be a heading indicating that certain Psalms arc particularly suitable for synagogue praise. When taken into NT trans. ' Praise ye the Lord.'
The Official 999 Web Site.
www.nineninenine.cjb.net
'
6 .June. 2007 10-27 am www.google.co.uk/search?
Results 1 - 9 of 9 for 973-eht-namuh-973. (0.19 seconds)
Classic Country Lyrics - Welcome to My World - Jim Reeves Lyrics / Classic Country - Welcome to My World - Jim Reeves Lyrics. www.cowboylyrics.com/lyrics/classic-country/welcome-to-my-world---jim-reeves
Welcome to my world
Won't you come on in
Miracles I guess
Still happen now and then
Step into my heart
Leave your cares behind
Welcome to my world
Built with you in mind
Knock and the door will open
Seek and you will find
Ask and you'll be given
The key to this world of mine
I'll be waiting here
With my arms unfurled
Waiting just for you
Welcome to my world
I
SAY
MIRIAM
IS
THAT
YOU
I SEE IN THE MIRROR MIRIAM MIRIAM IS THAT YOU I SEE
IN
THE
MIRROR
I
TIS I TIS
I
YOU
SEE IN THE
MIRROR
THE
MIRROR MIRRORING MIRROR
9
9
9999
9S
T9T
Y9
9 SEE 9N THE M999O9 9999 9999 9S T9T Y9 9 SEE
9N
THE
M999OR
9
T9S 9 T9S
9
Y9 SEE 9N THE
M999O9
THE
M999OR M999O99NG M999O9
I
SAY
MIRIAM IS THAT YOU I SEE IN THE MIRROR MIRIAM
MIRIAM
9
9
9999 9S T9T Y9 9 SEE 9N THE M999O9 9999
HORUS
THE
GOD
CONSCIOUSNESS
BORN UNTO
HUMANKIND
THOU ART THAT THAT ART THOU
NEFERTITI BELOVED OF GOD GOD OF BELOVED NEFERTITI
AKHENATEN BELOVED OF GOD GOD OF BELOVED AKHENATEN
TUTANKHAMUN BELOVED OF GOD GOD OF BELOVED TUTANKHAMUN
THE
MESSAGE
unless integral to quoted work.
all arithmetical machinations, emphasis,
comment, insertions subterfuge and insinuations
are those of the Zed Aliz Zed as recorded by the far yonder scribe.
THE
TRUE
DEATH ON THE CROSS
THE
TRUE
AT
ONE
MENT
AUM MANI PADME HUM
HAIL THE JEWEL AT THE CENTRE OF THE LOTUS
NAMASTE PEACE LOVE AND LIGHT UNTO ALL SENTIENT BEINGS
THE
FAR YONDER SCRIBE
AND OFT TIMES SHADOWED SUBSTANCES WATCHED IN FINE AMAZE
THE
ZED ALIZ ZED
IN SWIFT REPEAT SCATTER STAR DUST AMONGST THE LETTERS OF THEIR PROGRESS
AT THE THROW OF THE NINTH RAM WHEN IN CONJUNCTION SET
THE
FAR YONDER SCRIBE
MADE RECORD OF THEIR FALL
NUMBER
9
THE SEARCH FOR THE SIGMA CODE
Cecil Balmond 1998
Cycles and Patterns
Page 165
Patterns
The essence of mathematics is to look for patterns.
Our minds seem to be organised to search for relationships and sequences. We look for hidden orders.
These intuitions seem to be more important than the facts themselves, for there is always the thrill at finding something, a pattern, it is a discovery - what was unknown is now revealed. Imagine looking up at the stars and finding the zodiac!
Searching out patterns is a pure delight.
Suddenly the counters fall into place and a connection is found, not necessarily a geometric one, but a relationship between numbers, pictures of the mind, that were not obvious before. There is that excitement of finding order in something that was otherwise hidden.
And there is the knowledge that a huge unseen world lurks behind the facades we see of the numbers themselves.
NUMBER
9
THE SEARCH FOR THE SIGMA CODE
Cecil Balmond 1998
Page 32
5
To Sorcerers and Magicians number FIVE is the most powerful - five is the mark of the pentacle, a five pointed star drawn by extending the sides of a Pentagon. Five surely is in the possession of the occult. And the Pentagon is the geometric figure in which the golden ratio of classical art and architecture is found most.
THE
BALANCING
ONE TWO THREE FOUR
FIVE
NINE EIGHT SEVEN SIX
O |
= |
15 |
ONE |
3 |
- |
34 |
16 |
7 |
- |
1 |
T |
= |
20 |
TWO |
3 |
- |
58 |
13 |
4 |
- |
2 |
T |
= |
20 |
THREE |
5 |
- |
56 |
29 |
2 |
- |
3 |
F |
= |
6 |
FOUR |
4 |
- |
60 |
24 |
6 |
- |
4 |
- |
- |
61 |
Add |
15 |
- |
208 |
82 |
19 |
- |
10 |
- |
- |
6+1 |
Reduce |
|
- |
2+0+8 |
8+2 |
1+9 |
- |
1+0 |
- |
- |
7 |
Reduce |
6 |
- |
10 |
10 |
10 |
- |
1 |
- |
- |
- |
Deduce |
- |
- |
1+0 |
1+0 |
1+0 |
- |
- |
- |
- |
7 |
Essence |
6 |
- |
1 |
1 |
1 |
- |
1 |
N |
= |
14 |
NINE |
4 |
- |
42 |
24 |
6 |
- |
9 |
E |
= |
5 |
EIGHT |
5 |
- |
49 |
31 |
4 |
- |
8 |
S |
= |
19 |
SEVEN |
5 |
- |
65 |
20 |
2 |
- |
7 |
S |
= |
19 |
SIX |
3 |
- |
52 |
16 |
7 |
- |
6 |
- |
- |
57 |
Add |
17 |
- |
208 |
91 |
19 |
- |
30 |
- |
- |
5+7 |
Reduce |
1+7 |
- |
2+0+8 |
9+1 |
1+9 |
- |
3+0 |
- |
- |
12 |
Reduce |
8 |
- |
10 |
10 |
10 |
- |
3 |
- |
- |
1+2 |
Deduce |
- |
- |
1+0 |
1+0 |
1+0 |
- |
- |
- |
- |
3 |
Essence |
8 |
- |
1 |
1 |
1 |
- |
3 |
1 2 3 4 5 6 7 8 9
9 8 7 6 5 4 3 2 1
3 |
ONE |
34 |
16 |
7 |
- |
3 |
SIX |
52 |
16 |
7 |
3 |
TWO |
58 |
13 |
4 |
- |
5 |
SEVEN |
65 |
20 |
2 |
5 |
THREE |
56 |
29 |
2 |
- |
5 |
EIGHT |
49 |
31 |
4 |
4 |
FOUR |
60 |
24 |
6 |
- |
4 |
NINE |
42 |
24 |
6 |
15 |
Add |
208 |
82 |
19 |
- |
17 |
Add |
208 |
91 |
19 |
1+5 |
Reduce |
2+0+8 |
8+2 |
1+9 |
- |
1+7 |
Reduce |
2+0+8 |
9+1 |
1+9 |
6 |
Reduce |
10 |
10 |
10 |
- |
8 |
Reduce |
10 |
10 |
10 |
- |
Deduce |
1+0 |
1+0 |
1+0 |
- |
- |
Deduce |
1+0 |
1+0 |
1+0 |
6 |
Essence |
1 |
1 |
1 |
- |
8 |
Essence |
1 |
1 |
1 |
1 |
3 |
ONE |
34 |
16 |
7 |
2 |
3 |
TWO |
58 |
13 |
4 |
3 |
5 |
THREE |
56 |
29 |
2 |
4 |
4 |
FOUR |
60 |
24 |
6 |
5 |
4 |
FIVE |
42 |
24 |
6 |
6 |
3 |
SIX |
52 |
16 |
7 |
7 |
5 |
SEVEN |
65 |
20 |
2 |
8 |
5 |
EIGHT |
49 |
31 |
4 |
9 |
4 |
NINE |
42 |
24 |
6 |
45 |
36 |
Add |
458 |
197 |
44 |
4+5 |
3+6 |
Reduce |
4+5+8 |
1+9+7 |
4+4 |
9 |
9 |
Reduce |
17 |
17 |
8 |
- |
- |
Deduce |
1+7 |
1+7 |
- |
9 |
9 |
Essence |
8 |
8 |
8 |
0 |
4 |
ZERO |
64 |
28 |
1 |
1 |
6 |
ONE |
34 |
16 |
7 |
2 |
2 |
TWO |
58 |
13 |
4 |
3 |
2 |
THREE |
56 |
29 |
2 |
4 |
6 |
FOUR |
60 |
24 |
6 |
5 |
6 |
FIVE |
42 |
24 |
6 |
6 |
1 |
SIX |
52 |
16 |
7 |
7 |
1 |
SEVEN |
65 |
20 |
2 |
8 |
5 |
EIGHT |
49 |
31 |
4 |
9 |
5 |
NINE |
42 |
24 |
6 |
45 |
38 |
Add |
522 |
225 |
45 |
4+5 |
3+8 |
Reduce |
5+2+2 |
2+2+5 |
4+5 |
9 |
11 |
Deduce |
9 |
9 |
9 |
0 |
- |
ZERO |
64 |
28 |
1 |
1 |
6 |
ONE |
34 |
16 |
7 |
2 |
2 |
TWO |
58 |
13 |
4 |
3 |
2 |
THREE |
56 |
29 |
2 |
4 |
6 |
FOUR |
60 |
24 |
6 |
5 |
6 |
FIVE |
42 |
24 |
6 |
6 |
1 |
SIX |
52 |
16 |
7 |
7 |
1 |
SEVEN |
65 |
20 |
2 |
8 |
5 |
EIGHT |
49 |
31 |
4 |
9 |
5 |
NINE |
42 |
24 |
6 |
45 |
34 |
Add |
522 |
225 |
45 |
4+5 |
3+4 |
Reduce |
5+2+2 |
2+2+5 |
4+5 |
9 |
7 |
Deduce |
9 |
9 |
9 |
I
I
I = 9 9 I
R = 9 9 = R
RA = 1 1 = RA
ISIS = 2 2 = ISIS
IRIS = 1 1 = IRIS
OSIRIS = 8 8 = OSIRIS
SIRIUS = 5 5 = SIRIUS
SOTHIS = 9 9 = SOTHIS
ORIONIS = 9 9 = ORIONIS
I AM THAT I THAT AM I
9 AM THAT 9 THAT 9 AM 9
DIVINE LOVE IS 99 99 IS LOVE DIVINE
OSIRIS THAT SON SETS THAT SON SETS THAT SON OSIRIS THAT SON
ARISES THAT SUN SETS THAT SUN SETS THAT SUN ARISES THAT SUN
ADDED TO ALL MINUS NONE SHARED BY EVERYTHING MULTIPLIED IN ABUNDANCE
THE
ENGLISH LANGUAGE
TRANSMUTED INTO NUMBER IS ONE OF THE MAIN CONDUITS THROUGH WHICH APPEAR CLEARER UNDERSTANDING OF THOSE REFRACTED PATTERNS APPARENTLY RANDOM DESCRIBING ENERGIES WHICH INTERMINGLED WITHIN THE GREATER HERE AND NOW OF REALITY ARE CONSIDERED THE LIVING EXPERIENCE REVELATORY OF THE CREATORS CONSCIOUSNESS ETERNAL DIVINE THOUGHT
IN
THE
BEGINNING
WAS THE WORD AND THE WORD WAS
WITH
GOD AND THE WORD WAS GOD
AND WITHOUT GOD WAS NOT ANYTHING MADE THAT WAS MADE
IN
GOD
WAS THE LIGHT AND THE LIGHT WAS
THE
LIGHT
OF
THE
LIVING RAINBOW
HAIL THE JEWEL AT THE CENTRE OF THE LOTUS
PEACE UPON EARTH GOODWILL UNTO ALL SENTIENT BEINGS
I
I = 99 = I
ME=18=1+8=99=1+8=18=ME
CONSCIENCE=99=CONSCIENCE
ISIS=9+19+9+19 =ISIS ISIS = 9+1+9+1=ISIS
IRIS=9+18+9+19 = IRIS IRIS = 9+9+9+1=IRIS
SIRIUS=9+9+18+9+21+19 SIRIUS SIRIUS 1+9+9+9+3+1=SIRIUS
OSIRIS=15+19+9+18+9+19 OSIRIS = 6+1+9+9+9+1=9 OSIRIS = 8+9 =17 =1+ 7 = 8 = OSIRIS
I
IR
IRI
IRIRIRIRIRIRIRIRIR
IRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIR
9189189189189189189189189189189189189189189189
IRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIR
IRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIRIR
999999999999999999999999999999999999999666666666999999999666666666999999999999999999999
COME TO ME ALL YE WHO ARE HEAVILY LADEN AND I WILL SHOW THEE NUMBER AND LANGUAGE
9
9 x 9
9 x 9 x 9
9 x 9 x 9 x 9
9 x 9 x 9 x 9 x 9
9 x 9 x 9 x 9 x 9 x 9
9 x 9 x 9 x 9 x 9 x 9 x 9
9 x 9 x 9 x 9 x 9 x 9 x 9 x 9
9 x 9 x 9 x 9 x 9 x 9 x 9 x 9 x 9
9 x 9 x 9 x 9 x 9 x 9 x 9 x 9 x 9 x 9
9 + 9 + 9 + 9 + 9 + 9 = 54 54 = 9 + 9 + 9 + 9 + 9 + 9
9 + 9 + 9 + 9 + 9 + 9 + 9 + 9 + 9 = 81 81 = 9 + 9 + 9 + 9 + 9 + 9 + 9 + 9 + 9
9 + 9 + 9 + 9 + 9 + 9 + 9 + 9 + 9 + 9 + 9 = 99 99 = 9 + 9 + 9 + 9 + 9 + 9 + 9 + 9 + 9 + 9 + 9
A |
T |
U |
M |
- |
R |
A |
- |
A |
R |
- |
M |
U |
T |
A |
1 |
20 |
21 |
13 |
- |
18 |
1 |
- |
1 |
18 |
- |
13 |
21 |
20 |
1 |
1 |
2 |
3 |
4 |
- |
9 |
1 |
- |
1 |
9 |
- |
4 |
3 |
2 |
1 |
A |
T |
U |
M |
- |
R |
A |
- |
A |
R |
- |
M |
U |
T |
A |
1 |
- |
- |
- |
- |
- |
1 |
- |
1 |
- |
- |
- |
- |
- |
1 |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
2 |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
- |
- |
- |
9 |
- |
- |
- |
- |
- |
A |
T |
U |
M |
- |
R |
A |
- |
A |
R |
- |
M |
U |
T |
A |
- |
- |
- |
- |
9 |
- |
- |
- |
9 |
- |
- |
- |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
3 |
- |
- |
- |
- |
- |
- |
- |
3 |
- |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
2 |
- |
1 |
- |
- |
- |
- |
1 |
- |
1 |
- |
- |
- |
- |
1 |
A |
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M |
R |
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A |
R |
M |
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1 |
20 |
21 |
13 |
18 |
1 |
- |
1 |
18 |
13 |
21 |
20 |
1 |
1 |
2 |
3 |
4 |
9 |
1 |
- |
1 |
9 |
4 |
3 |
2 |
1 |
A |
T |
U |
M |
R |
A |
- |
A |
R |
M |
U |
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1 |
2 |
3 |
4 |
9 |
1 |
- |
1 |
9 |
4 |
3 |
2 |
1 |
A |
T |
U |
M |
R |
A |
- |
A |
R |
M |
U |
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- |
- |
- |
4 |
- |
4 |
- |
- |
- |
- |
- |
3 |
- |
- |
- |
3 |
- |
- |
- |
2 |
- |
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- |
- |
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- |
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- |
- |
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- |
- |
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1 |
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1 |
20 |
21 |
13 |
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21 |
20 |
1 |
1 |
2 |
3 |
4 |
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4 |
3 |
2 |
1 |
A |
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U |
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- |
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1 |
2 |
3 |
4 |
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3 |
2 |
1 |
A |
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|
A |
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|
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- |
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1 |
20 |
21 |
13 |
- |
18 |
1 |
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= |
|
|
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1 |
2 |
3 |
4 |
- |
9 |
1 |
|
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= |
|
|
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|
A |
T |
U |
M |
- |
R |
A |
|
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|
|
|
|
|
- |
- |
1 |
- |
- |
- |
- |
- |
1 |
|
|
|
occurs |
x |
|
= |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
2 |
- |
- |
- |
3 |
- |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
3 |
- |
- |
- |
- |
4 |
- |
- |
- |
|
|
|
occurs |
x |
|
= |
4 |
- |
- |
- |
- |
- |
- |
9 |
- |
|
|
|
occurs |
x |
|
= |
9 |
|
A |
T |
U |
M |
- |
R |
A |
|
|
19 |
|
|
|
|
|
|
- |
- |
|
- |
- |
9 |
- |
|
|
10 |
- |
- |
- |
Q |
2+0 |
|
A |
T |
U |
M |
- |
R |
A |
|
|
1 |
|
|
|
|
|
|
4 |
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|
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|
- |
- |
- |
8 |
|
|
1 |
|
|
|
|
|
|
= |
|
- |
- |
26 |
|
|
19 |
|
|
|
4+5 |
|
|
= |
9 |
|
4 |
|
|
|
|
|
|
|
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|
|
|
- |
- |
- |
|
5 |
3 |
|
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- |
|
- |
- |
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5 |
21 |
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2+6 |
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- |
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4 |
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- |
- |
- |
26 |
5 |
21 |
19 |
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7+1 |
|
|
= |
8 |
- |
- |
8 |
5 |
3 |
1 |
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1+7 |
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= |
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4 |
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- |
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- |
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occurs |
x |
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= |
1 |
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- |
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- |
- |
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occurs |
x |
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= |
3 |
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- |
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- |
- |
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occurs |
x |
|
= |
5 |
|
- |
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- |
- |
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- |
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- |
- |
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occurs |
x |
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= |
8 |
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- |
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- |
- |
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2+8 |
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1+7 |
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1+7 |
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1+0 |
- |
8 |
5 |
3 |
1 |
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- |
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4 |
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- |
- |
8 |
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1 |
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= |
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- |
26 |
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19 |
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4+5 |
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= |
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4 |
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- |
- |
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5 |
3 |
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- |
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5 |
21 |
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2+6 |
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4 |
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- |
- |
26 |
5 |
21 |
19 |
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7+1 |
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= |
|
- |
8 |
5 |
3 |
1 |
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1+7 |
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= |
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4 |
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- |
- |
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occurs |
x |
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= |
1 |
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occurs |
x |
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= |
3 |
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occurs |
x |
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= |
5 |
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occurs |
x |
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= |
8 |
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1+7 |
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1+7 |
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- |
8 |
5 |
3 |
1 |
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20 |
S |
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- |
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- |
1 |
6 |
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8 |
9 |
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2+4 |
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= |
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- |
19 |
15 |
|
8 |
9 |
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5+1 |
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= |
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20 |
S |
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- |
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- |
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7 |
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1 |
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= |
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- |
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16 |
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1 |
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1+7 |
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1+7 |
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20 |
S |
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- |
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- |
19 |
15 |
16 |
8 |
9 |
1 |
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6+8 |
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1+4 |
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- |
1 |
6 |
7 |
8 |
9 |
1 |
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3+2 |
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- |
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- |
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occurs |
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2 |
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- |
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occurs |
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= |
6 |
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occurs |
x |
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= |
7 |
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occurs |
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= |
8 |
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occurs |
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= |
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14 |
20 |
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1+4 |
2+0 |
- |
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3+1 |
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- |
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3+2 |
5 |
2 |
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20 |
S |
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- |
- |
1 |
6 |
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8 |
9 |
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2+4 |
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= |
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- |
19 |
15 |
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8 |
9 |
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5+1 |
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= |
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20 |
S |
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- |
- |
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7 |
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1 |
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= |
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- |
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16 |
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1 |
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1+7 |
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1+7 |
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20 |
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- |
- |
19 |
15 |
16 |
8 |
9 |
1 |
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6+8 |
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1+4 |
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- |
1 |
6 |
7 |
8 |
9 |
1 |
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3+2 |
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- |
- |
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occurs |
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2 |
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occurs |
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= |
6 |
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occurs |
x |
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= |
7 |
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occurs |
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= |
8 |
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occurs |
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= |
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2+0 |
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3+1 |
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3+2 |
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|
CIRCLE CIRCLES CIRCLEING CIRCLED
39933E 39933ES 39933E9NG 399339
ENCIRCLE ENCIRCLES ENCIRCLEING ENCIRCLED
EN39933E EN39933ES EN39933E9NG EN399339
CIRCUMFERENCE CIRCUMCISION CIRCUMCISING CIRCUMCISED
CIRCU465RENCE CIRCU43I1I65 CIRCU43I1I53 CIRCU43I1ED
HOLY BIBLE
ST JOHN
C21 V 10
JESUS SAITH UNTO THEM BRING OF THE FISH WHICH YE HAVE NOW CAUGHT
V 11
SIMON PETER WENT UP AND DREW THE NET TO LAND FULL OF GREAT FISHES
AN HUNDRED AND FIFTY AND THREE
AND FOR ALL THERE WERE SO MANY YET WAS NOT THE NET BROKEN
I
SAY
ISHI TELL IRISH RISHI HOW MANY FISH THAT DAY DID DIE THE DEATH
IRISH RISHI
IN
SOME
LAUGHTER AMONGST ALL THAT SLAUGHTER
MOUTHED
THE NUMBER OF THE DEAD
153
HAVE DIED AND THATS THE TRUTH THE
NUMBER
SAID
LET THAT HE AS IN SHE THAT IS THEE
THAT ONE THAT
LAUGHS LAST LAUGH
LONGEST
I
WILL
UNTIL THE TEARS ARE STREAMING DOWN ALL OUR FACES
AMEN TO THAT
C |
|
|
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N |
|
|
|
|
|
3 |
18 |
21 |
3 |
9 |
6 |
9 |
24 |
9 |
15 |
14 |
|
|
|
1+3+1 |
|
3 |
9 |
3 |
3 |
9 |
6 |
9 |
6 |
9 |
6 |
5 |
|
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|
6+8 |
|
C |
|
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N |
|
|
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|
C |
- |
- |
- |
- |
- |
- |
- |
- |
- |
N |
|
|
- |
|
|
3 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
5 |
|
|
- |
|
|
- |
R |
- |
- |
- |
- |
- |
- |
- |
O |
- |
|
|
- |
|
|
- |
9 |
- |
- |
- |
- |
- |
- |
- |
6 |
- |
|
|
1+5 |
|
|
- |
- |
U |
- |
- |
- |
- |
- |
I |
- |
- |
|
|
- |
|
|
- |
- |
3 |
- |
- |
- |
- |
- |
9 |
- |
- |
|
|
1+2 |
|
|
- |
- |
- |
C |
- |
- |
- |
X |
- |
- |
- |
|
|
- |
|
|
- |
- |
- |
3 |
- |
- |
- |
6 |
- |
- |
- |
|
|
- |
|
|
- |
- |
- |
- |
I |
- |
I |
- |
- |
- |
- |
|
|
- |
|
|
- |
- |
- |
- |
9 |
- |
9 |
- |
- |
- |
- |
|
|
1+8 |
|
|
- |
- |
- |
- |
- |
F |
- |
- |
- |
- |
- |
|
|
- |
|
|
- |
- |
- |
- |
- |
6 |
- |
- |
- |
- |
- |
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|
- |
|
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C |
|
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12 |
B |
U |
R |
I |
A |
L |
|
|
I |
|
|
A |
|
|
|
|
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|
|
- |
- |
|
|
9 |
- |
|
|
- |
9 |
- |
- |
- |
- |
|
|
|
1+8 |
|
|
- |
- |
|
|
9 |
- |
|
|
- |
9 |
- |
- |
- |
- |
|
|
|
1+8 |
|
|
12 |
B |
U |
R |
I |
A |
L |
|
|
I |
|
|
A |
|
|
|
|
|
|
|
- |
2 |
3 |
9 |
|
1 |
3 |
|
9 |
- |
2 |
3 |
1 |
3 |
|
|
|
3+6 |
|
|
- |
2 |
21 |
18 |
- |
1 |
12 |
|
18 |
- |
20 |
21 |
1 |
12 |
|
|
|
1+2+6 |
|
|
|
B |
U |
R |
I |
A |
L |
|
|
I |
|
|
A |
|
|
|
|
|
|
|
- |
2 |
21 |
18 |
9 |
1 |
3 |
|
18 |
9 |
20 |
21 |
1 |
12 |
|
|
|
1+4+4 |
|
|
- |
2 |
3 |
9 |
9 |
1 |
3 |
|
9 |
9 |
2 |
3 |
1 |
3 |
|
|
|
4+5 |
|
|
12 |
B |
U |
R |
I |
A |
L |
|
|
|
|
|
A |
|
|
|
|
|
|
|
|
B |
|
|
|
- |
- |
|
|
|
- |
|
|
L |
|
|
|
- |
- |
|
- |
2 |
|
|
|
|
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- |
|
|
3 |
|
|
|
- |
- |
5 |
- |
- |
U |
- |
- |
- |
- |
|
- |
- |
- |
- |
A |
- |
|
|
|
- |
- |
|
- |
- |
3 |
- |
- |
- |
- |
|
- |
- |
- |
- |
1 |
- |
|
|
4 |
--- |
--- |
4 |
- |
- |
- |
R |
- |
- |
- |
|
- |
- |
- |
U |
- |
- |
- |
- |
- |
|
|
- |
- |
- |
- |
9 |
- |
- |
- |
|
- |
- |
- |
3 |
- |
- |
|
|
12 |
1+2 |
= |
3 |
- |
- |
- |
- |
I |
- |
- |
|
- |
- |
T |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
9 |
- |
- |
|
- |
- |
2 |
- |
- |
- |
|
|
11 |
1+1 |
= |
2 |
- |
- |
- |
- |
- |
A |
- |
|
- |
I |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
1 |
- |
|
- |
9 |
- |
- |
- |
- |
|
|
10 |
1+0 |
= |
1 |
- |
- |
- |
- |
- |
- |
L |
- |
R |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
|
- |
- |
3 |
- |
9 |
- |
- |
- |
- |
- |
|
|
|
1+2 |
= |
|
12 |
B |
U |
R |
I |
A |
L |
- |
|
|
|
|
A |
|
|
|
|
|
|
|
1+2 |
- |
- |
|
9 |
- |
- |
|
|
9 |
|
- |
- |
- |
|
|
5+4 |
|
|
1+8 |
3 |
B |
U |
R |
I |
A |
L |
- |
|
|
|
|
A |
|
|
|
|
|
|
9 |
- |
2 |
3 |
9 |
9 |
1 |
3 |
|
9 |
9 |
2 |
3 |
1 |
3 |
|
|
|
4+5 |
|
|
3 |
B |
U |
R |
I |
A |
L |
- |
|
|
|
|
A |
|
|
|
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|
9 |
THE
KING AND QUEEN
OF
CHAO
AWAIT YOUR PLEASURE AT
THE
WEIGHING IN THE BALANCE DANCE
OF AN
ANYBODIES LIFETIME
FINAL DATE DECIDED SHORTLY
MESSAGE IN A BOTTLE
Lyrics Sting and Police
Just a castaway, an island lost at sea, oh
Another lonely day, with no one here but me, oh
More loneliness than any man could bear
Rescue me before I fall into despair, oh
Ill send an s.o.s. to the world
Ill send an s.o.s. to the world
I hope that someone gets my
I hope that someone gets my
I hope that someone gets my
Message in a bottle, yeah
Message in a bottle, yeah
A year has passed since I wrote my note
But I should have known this right from the start
Only hope can keep me together
Love can mend your life but
Love can break your heart
Ill send an s.o.s. to the world
Ill send an s.o.s. to the world
I hope that someone gets my
I hope that someone gets my
I hope that someone gets my
Message in a bottle, yeah
Message in a bottle, yeah
Message in a bottle, yeah
Message in a bottle, yeah
Walked out this morning, dont believe what I saw
Hundred billion bottles washed up on the shore
Seems Im not alone at being alone
Hundred billion castaways, looking for a home
Ill send an s.o.s. to the world
Ill send an s.o.s. to the world
I hope that someone gets my
I hope that someone gets my
I hope that someone gets my
Message in a bottle, yeah
Message in a bottle, yeah
Message in a bottle, yeah
Message in a bottle, yeah
Sending out at an s.o.s.
Sending out at an s.o.s.
Sending out at an s.o.s.
Sending out at an s.o.s.
Sending out at an s.o.s.
Sending out at an s.o.s.
SENDING OUT AN SOS SENDING OUT AN SOS SENDING OUT AN SOS
SENDING OUT AN SOS SENDING OUT AN SOS SENDING OUT AN SOS
SENDING OUT AN SOS SENDING OUT AN SOS SENDING OUT AN SOS
SENDING OUT AN SOS SENDING OUT AN SOS SENDING OUT AN SOS
SENDING OUT AN SOS SENDING OUT AN SOS SENDING OUT AN SOS
SENDING OUT AN SOS SENDING OUT AN SOS SENDING OUT AN SOS
SENDING OUT AN SOS SENDING OUT AN SOS SENDING OUT AN SOS
SENDING OUT AN SOS SENDING OUT AN SOS SENDING OUT AN SOS
SENDING OUT AN SOS SENDING OUT AN SOS SENDING OUT AN SOS
METRO
Tuesday, September 19, 2006
Front Page Headline
"GLOBAL WARNING IS FAULT OF MAN"
COSMIC MESSAGE IN A BOTTLE
"A cosmic "message in a bottle" is to be left in space as a relic of the world's languages.
A disc engraved with the first three chapters of Genesis in 1,000 native tongues will travel to a distant comet. It will be carried on the European Space Agency's (Esa) Rosetta mission, set for take-off some time in 2003. The unmanned spacecraft will orbit the ball of ice, matter and dust, and then put a lander on the comet's surface. The inscription, attached to the outside of the main spacecraft, is designed to act as a relic of the languages on Earth.
Once the mission is over, the mother ship could end up circling for thousands of years until it breaks up or collides with a planet"
http://news.bbc.co.uk/2/hi/science/nature/2654755.stm
From the Bible, Old Testament Genesis IV. 9:
"And the Lord said unto Cain, where is Abel thy brother? And he said, I know not: Am I my brother's keeper?"
9 |
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THE
TRUE
DEATH ON THE CROSS
THE
TRUE
ATONEMENT
THE
SELF CRUCIFIXON OF THE CRUCIFIXION OF THE SELF
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Tuesday, October 10, 2006
Answers to Correspondents
Compiled by James Black and Charles Legge
QUESTION
How and when did the written symbol 'X' come to define a kiss?
DAVID WALLECHINSKY and Irving Wallace's The People's Almanac says: 'Early illiterates signed documents with a cross. .
'They did so for an obvious reason. A cross was simple to draw and, being a sacred symbol, implied the promise of truth.
'To solemnly confirm further the veracity of what had been endorsed, the writer kissed his "signature", as he was accustomed to do with the Holy Book. And that is how, finally, by its very association, the cross came to be identified with a kiss.'
Rev James Wright, London SW12
O
HEARKEN
THEE
A
MOST
IMPORTANT ANNOUNCEMENT
THE
KING AND QUEEN
OF
CHAO
AWAIT YOUR PLEASURE
AT
THEIR JOINT PRESENTATION OF THE COMING GRAND BALL
THE
WEIGHING IN THE BALANCE
DANCE
OF AN
ANYBODIES LIFETIME
FINAL DATE ARRIVING SHORTLY
ALL
HUMANKIND
ARE
REQUIRED TO ATTEND THIS MOST AUSPICIOUS OCCASION
HURRAH FOR RAH FOR RAH HURRAH
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O
BLESSED AND BELOVED
NAMUH
THAT THAT ISISIS THAT THAT
IS THEE THAT IS
THY
TRUE
NATURE
HEARETH THEE THE VOICE OF THINE OWN ANGUISH
HEARKEN THEE REAL REALITY LOTUS EATERS HEARKEN
THEE THE SILENCE THAT SPEAKS IN ALL TONGUES
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THAT
I
YOU
ME ARE WE
TO
BE OR NOT TO BE
THAT IS THE QUESTION
And the Lord said unto Cain, Where is Abel thy brother? And he said, I know not: Am I my brother's keeper?
And he [God] said, What hast thou done? the voice of thy brother's blood crieth unto me from the ground.
Genesis 4: 9-10 (KJV)
I
ME
THAT ME THAT
I AM THAT ME THAT THOU ART AM I THAT ME AM I THAT
I AM THAT ME THAT THOU ART THAT ME THAT THOU ART AM 1
THE HOLY BIBLE
Scofield Reference
SAINT JOHN
C 3 V 3
Page 1117
" JESUS ANSWERED AND SAID UNTO HIM, VERILY, VERILY I SAY UNTO THEE, EXCEPT A MAN BE BORN AGAIN HE CANNOT SEE THE KINGDOM OF GOD.
4
NICODEMUS SAITH UNTO HIM, HOW CAN A MAN BE BORN WHEN HE IS OLD? CAN HE ENTER THE SECOND TIME INTO HIS MOTHER'S WOMB, AND BE BORN?
5
JESUS ANSWERED, VERILY, VERILY, I SAY UNTO THEE, EXCEPT A MAN BE BORN OF WATER AND OF THE SPIRIT HE CANNOT ENTER INTO THE KINGDOM OF GOD.
6
THAT WHICH IS BORN OF THE FLESH IS FLESH; AND THAT WHICH IS BORN OF THE SPIRIT IS SPIRIT.
7
MARVEL NOT THAT I SAID UNTO THEE, YE MUST BE BORN AGAIN
8
THE WIND BLOWETH WHERE IT LISTETH, AND THOU HEAREST THE SOUND THEREOF, BUT CANST NOT TELL WHENCE IT COMETH AND GOETH SO IS EVERYONE BORN OF THE SPIRIT.
I
THINK
THEREFORE
I
AM
I
THINK
THEREFORE
I
AM
NOT
THE MAGIC MOUNTAIN
Thomas Mann 1875-1955
Page 466
"Had not the normal, since time was, lived on the achievements of the abnormal? Men consciously and
voluntarily descended into disease and madness, in search of knowledge which, acquired by fanaticism, would lead back to health; after the possession and use of it had ceased to be conditioned by that heroic and abnormal act of sacrifice. That was the true death on the cross, the true Atonement."
THE
TRUE
DEATH ON THE CROSS
THE
TRUE
ATONEMENT
THE SELF CRUCIFIXION OF THE CRUCIFIXION OF THE SELF
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HOLY BIBLE
Scofield References
Page 1117. A.D. 30.
Jesus answered and said unto him, Verily, verily,
I say unto thee, Except a man be born again,
He cannot see the kingdom of God.
St John Chapter 3 verse 3
3 + 3 3 x 3
6 x 9
54
5 + 4
9
IN SEARCH OF THE MIRACULOUS
Fragments of an Unknown Teaching
P.D.Oupensky 1878- 1947
Page 217
" 'A man may be born ,but in order to be born he must first die, and in order to die he must first awake.' "
" 'When a man awakes he can die; when he dies he can be born' "
Thus spake the prophet Gurdjieff.
THE MAGIC MOUNTAIN
Thomas Mann 1875-1955
Page 496
" There is both rhyme and reason in what I say, I have made a dream poem of humanity.
I will cling to it. I will be good. I will let death have no mastery over my thoughts.
For therein lies goodness and love of humankind, and in nothing else."
Page 496 / 497
"Love stands opposed to death. It is love, not reason, that is stronger than death . Only love, not reason, gives sweet thoughts. And from love and sweetness alone can form come: form and civilisation, friendly and enlightened , beautiful human intercourse-always in silent recognition of the blood-sacrifice. Ah, yes, it is it is well and truly dreamed. I have taken stock I will keep faith with death in my heart, yet well remember that faith with death and the dead is evil, is hostile to mankind, so soon as we give it power over thought and action.
For the sake of goodness and love, man shall let death have no sovereignty over his thoughts.
- And with this -I awake. For I have dreamed it out to the end, I have come to my goal."
ZEROREZ
ZEROREZ
ZEROREZ
ZEROREZ
ZEROREZ
ZEROREZ
ZEROREZ
ZEROREZ
ZEROREZ
I
ASKED
THE
DIVINE ORACLE
YOU KNOW THE ONE THAT QUESTION YOU KNOW THE ONE
THE
ORACLE
ANSWERED THAT QUESTION
THUS
O
NAMUH
I
AM
SICKENED UNTO THE DEATH BY YOUR SACRIFICES
AS YE SOW SO SHALL YE REAP
I
HAVE
NO
FAVOURITES
I
WILL DANCE YOU UNTO THE DEATH FOR
I
AM
THE DANCE AND THE DANCE GOES ON
THAT IS MAAT MAAT IS THAT
THAT
IS
THE
UNIVERSAL
LAW OF THE
COSMOS
THE DIVINE THOUGHT OF THE RAINBOW LIGHT
AMEN ALLMEN ALL MEN AMEN
AMEN ALLWOMEN ALL WOMEN AMEN
I
ATEN
ZERO = O = ZERO
ONE AND ZERO ZERO AND ONE
ISISIS ZERO = ONE = ONE = ZERO ISISIS
RA OSIRIS ERECT PENIS = I = PENIS ERECT OSIRIS RA
ISISIS ZERO CIRCLE VAGINA = O = VAGINA CIRCLE ZERO ISISIS
999999999666666666101010101010101010010101010101010101666666666999999999
THE
ZED ALIZ ZED
SCATTERS
JUST THE RIGHT AMOUNT OF PRECIOUS STAR DUST
THE
HEART
OF
ISLAM
Enduring Values for Humanity
Seyyed Hossein Nasr 2002
ONE GOD, MANY PROPHETS
The Unity of Truth and the Multipliciry of Revelations
Say: He, God, is One, God the Self-Sufficient Besought of all.
He begetteth not, nor is begotten, and none is like Him. Quran 112: v.1-41
Page 16
"To every people [We have sent] a messenger"
"We have appointed a Divine Law and a way. Had God willed, He could have made you one community. But that He may try you by that which He hath given you. So vie with one another in good works. Unto God ye will all return, and He will then inform you concerning that wherein ye differed" (5 :48). According to these and other verses, not only is the multiplicity of religions necessary, but it is also a reflection of the richness of the Divine Nature and is willed by God."
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AND
GOD
FORMED
HUMANKIND OF THE DUST OF THE UNIVERSE
AND
BREATHED INTO THEIR NOSTRILS
THE BREATH OF LIFE
AND
HUMANS BECAME LIVING SOULS
973AZAZAZAZAZAZAZAZAZZAZAZAZAZAZAZAZAZA973
ISISISISISISISISISISISIS919919919919ISISISISISISISISISISISIS
999181818181818181818AZAZAZAZAZAZAZAZAZAZAZ818181818181818181999
122333444455555666666777777788888888999999999888888887777777666666555554444333221
999999999AUMMANIPADMEHUMAUMMANIPADMEHUMAUMMANIPADMEHUM999999999
PERFECT DIVINE LOVE PUREST LIVING LIGHT THAT LIGHT LIVING PUREST LOVE DIVINE PERFECT